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extending informel art of desire, exquisite landscapes of colour
originated deep in the sexes of once-identified women: smears on glass
made in the 1970s, forgotten in the cellars of a Brussels clinic. Each
smear is unique; the medical gesture and the choice of stain becomes an
imaginary calligraphed portrait of a woman - doubly inspired by her
outward being and her body at its most intimate. To rediscover this
imaginary being we pass from one intimacy to others, different scenes,
public scenes. In the medallions, a new generation makes love on the
grass: private in public, caresses in the sun oblivious of the chain of
desires which link their whispered words to a deeper Archeology, to
loves longdisappeared, unreproducible - yet transformed into the flesh
of new generations. |
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